amulet WORKSHOP

Sunday 3.30pm - 5.30pm

amulet WORKSHOP

IN collaboration with  Pietra Galli 

Handbuilding Pottery Workshop at Goodmood Pottery — Camberwell, South London

Join Goodmood Pottery Studio in London for an intimate hand-building ceramics workshop where you'll design and craft your own personal ceramic amulet. Led by artist and ceramicist Pietra Galli, our Amulet Making workshop invites participants to translate personal memories into meaningful ceramic keepsakes that they can carry every day.

This beginner-friendly pottery class in London focuses on the tactile, sensory pleasures of working with clay. Through a range of hand-building techniques, you'll learn how making can become a form of reflection, remembrance, and self-expression — a way of shaping ideas that goes beyond words. No prior ceramics experience is needed; just bring an open mind and a memory, feeling, or intention you'd like to give form to.

By the end of the workshop, you'll have a handmade ceramic amulet uniquely your own: a small, sculpted object connected to a personal story, ready to be kept as a protective talisman or given as a thoughtful gift.

Book your place at Goodmood Pottery Studio today and discover why our hand-building workshops are among London’s most rewarding creative experiences.

    • Essential hand-building techniques — Master the foundational ceramic methods of pinching, coiling, and slab-building to shape clay without a wheel.

    • How to translate memory into form — Learn a guided creative process for turning a personal memory, intention, or feeling into a tangible ceramic object.

    • Working with clay's tactile qualities — Develop a sensory understanding of how clay responds to touch, pressure, and movement at different stages of moisture.

    • Surface decoration and texture — Explore techniques for adding marks, imprints, and details that give your amulet its unique character and meaning.

    • Finishing and joining techniques — Discover how to smooth, refine, and securely join pieces of clay so your amulet is structurally sound and ready for firing.

    • Mindful making as creative practice — Experience how slow, intentional craft can become a meditative way to reflect, process, and express ideas beyond words.

  • We take care of everything for you, from clay and tools to aprons. Just show up and start creating, with no extra costs. Wait for about 4 weeks to arrange collection.

  • Studio Access & Clean-Up

    We kindly ask everyone to arrive on time so we can make the most of our session together. To help keep the studio running smoothly, please begin tidying up 15 minutes before the end of the session; this includes labeling and storing your work, cleaning tools, and wiping down your workspace with a sponge and water. These steps reflect standard ceramic studio practice and COSHH guidelines, and we really appreciate your cooperation.

    The Ceramics Process

    · Make your pieces

    · Allow work to dry (1 week to refine; 2–4 weeks before firing depending on size)

    · Return to trim, fettle, and optionally decorate

    · Dry fully before first firing (3+ weeks)

    · Return to glaze

    · Final firing and collection (approx. 3+ week turnaround)

    Clay Allowance

    Clay is included for workshop participants. There may be additonal charges per KG for clay if using large amounts. Open Access users and Members must buy their own clay. Acceptance of Terms By booking any class, workshop, event, or voucher, you agree to these terms and conditions.

    Class Validity

    Open Access passes and vouchers are valid for 6 months from purchase. Date-specific classes are valid only for the booked date unless rescheduled within 2 months. All bookings are non-refundable and non-transferable unless stated otherwise.

    Rescheduling

    To help us manage bookings fairly, courses and half-day tasters require one month’s notice for a refund. Thank you for your understanding—these guidelines help us offer a great experience for everyone.

    Storage of Work

    To help us look after everyone’s pieces, unfired work is stored for up to two weeks and must be clearly labelled. Bisque-fired and finished work is stored for 4–6 weeks. Any work that is unlabelled or not collected within these timeframes may be recycled to make space for others. Thank you for your understanding—unfortunately, refunds cannot be offered for recycled work

    Finished Work

    All pieces go through two firings before they’re complete, which helps ensure the best results. For this reason, finished work won’t be ready to take home after your first session—but we promise it will be worth the wait! Thank you for your understanding—unfortunately, refunds cannot be offered for recycled work.

    Firings & Equipment

    Estimated turnaround is 3 weeks per firing. Delays may occur. Over-glazed or excessively thick work will not be fired.

    Health, Safety & Liability

    Your safety is important to us, and we ask everyone to follow COSHH and studio guidelines to help keep the space safe and enjoyable for all. Goodmood cannot accept responsibility for injuries that result from not following these guidelines, and students may be liable for damage caused by misuse of equipment or materials. As part of the ceramic process, breakages, glaze variations, and kiln-related incidents can occasionally occur, and refunds cannot be offered in these cases. Thank you for your understanding and care in the studio.

    COSHH Guidelines

    Silica and ceramic materials can be hazardous when airborne. Follow all studio safety rules, clean using water only, avoid dry sanding or sweeping, and wear appropriate PPE when required. Ask staff if unsure at any time.

    Contact

    For questions, email hello@goodmoodpottery.com. We respond within 2 working days (Mon–Fri, 9am–5pm).

tutor

Pietra Galli (b. 1996, Brazil) is an interdisciplinary artist and ceramicist based in London. She began her ceramics practice while studying at Chelsea College of Arts, where she graduated with a BA in Fine Art in 2018. Since then, she has been creating functional one-off ceramics under the name Pê Ceramics, and has led numerous pottery workshops across institutions and independent spaces, including Hampstead School of Art and Mud Gang Pottery. She currently teaches ceramics at Clapham Pottery and is a resident potter at North St Potters. In 2025, she was one of the resident artists at the FAAP Art Residency in São Paulo.